About the event

Megalith is a fascinating new immersive experience that invites audiences into a participatory, interactive, hands-on encounter with rocks. Mine stone with antlers like a Neolithic miner, lie back and listen to the slow geological rumble of rocks, or wander with magic stones within a giant stone circle, enjoying the lights dance and flow around you as you move. Amid a changing climate, what might be the future of energy, beyond fossil fuels? Megalith offers a tactile, meditative exploration through copper, cobalt, lithium and tin - the critical metals that make up the batteries of tomorrow.

As our climate changes, global economies are transitioning to renewable energies. But what are the metals that make up this renewable infrastructure, the batteries that power our electric cars? Where do they come from, how much is needed, and how long will reserves last? Developed in collaboration with Earth Sciences researchers at Oxford University, Megalith invites adults and children alike to explore big themes in fun and playful ways. The experience runs in 30 minute cycles during opening hours. Drop in and reserve your place on the day.

Megalith is presented by the Schwarzman Centre and MECHANIMAL, in collaboration with the Museum of Natural History. Please note this event is taking place at the Museum, and not at the Schwarzman Centre.

Recommended for adults, and children over 6 years old. The installation includes loose objects and flashing lights. Due to the nature of the space and the installation, pushchairs must be left outside the gallery.

About the speaker

MECHANIMAL is a multi-award-winning creative company based in Bristol, presenting live performance and immersive experiences that explore life on a changing planet. The company, led by creative director Tom Bailey, tours work both in the UK and internationally, recently presenting work in the UK, Norway, China and Colombia. Megalith was developed in association with visual designer company Limbic Cinema, and with sound designer Xavier Velastin. Kindly supported by Innovate UK, Arts Council England, Professor Jon Blundy and Oxford Cultural Programme.

Accessibility information

For more information, please visit our accessibility webpage.